...gotten into The Ergs! sooner; what a blast their new compilation is! it's a shame that they are leaving us now, just as i begin to understand what all the fuss is about. look for a review of this record very soon.
...called nadjya in the past week; we're gonna have quite a bit to talk about.
...started playing guitar again; it kills me that my calluses are basically gone. it's definately time to pick the old axe back up.
i'm trying to plan this trip to chicago on sunday...and by plan i mean decide which days we are going because i definately have to do this before school starts back up. i'm becoming more and more nervous about my workload and how i'll handle it. my music program for the library was fun, even if only four people showed up. two local newspapers ran stories on it and i'll try and get them scanned in and posted. if nothing else, they'll probably let me do it again.
the show went really well the other night. we took a lot of good footage (most of it making fun of A Modern Love Story) and we're going to try and compile a short video to post. once it goes up, i'll let you know. until then, here are some photos my buddy Max took. you should check out his photo blog right here.
i really love that last photo. Max informed me that there are more shots he did with film forthcoming, so i'm stoked on those as well...we really should hire him to do a photoshoot.
to keep with the pictures theme, here are two short poems. the first is inspired by a William Carlos Williams poem and then a painting by cubist Fernand Leger, the second was inspired by Man Ray.
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The Red Wheelbarrow
by William Carlos Williams
so much depends
upon
upon
a red wheel
barrow
barrow
glazed with rain
water
water
beside the white
chickens.
chickens.
and then the painting...
Even Williams
(on Fernand Leger’s The Red Table)
I believe even Williams,
who wrote upon which
so much depends,
would have agreed with
what was truly red –
the table –
white –
the mortar and pestle.
I believe even Williams,
who wrote upon which
so much depends,
would have agreed with
what was truly red –
the table –
white –
the mortar and pestle.
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and here is the second painting and corresponding poem...
The Moment Immediately Following the Immaculate Conception
(on Man Ray’s Portrait or Invention)
Holy glow of acceptance surrounds her.
The severed tip of temptation;
a hint of wings,
of angels set in
opposition.
The swell of stomach
now holds the imprint
of salvation.
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